Fender Blues Deluxe Reissue Vs Hot Rod Deluxe Iii
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Fender blues deluxe vs hot rod deluxe
- Thread starter MrMilezz
- Start date
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the wiring is what made me eventually get rid of it.. there is no merit in what im about to say, but at one point in time i decided i only wanted PTP amps in the collection and i got rid of everything with a board circuit in it. i dont know why.. i just did.. to this day i miss the bdri sometimes, i dont really miss the Hot rod much at all though, but i know if i didnt have a 410 bassman i would miss that hot rod.
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I have no real terms of reference to compare my BDRI against - I've never played a Bassman or the DRRI for instance but I really can't understand Homesick's comment that they are 'not a very high quality amp'. I guess they're not a Mesa or a Dumble but they're not in that price league either. Maybe I've got cloth ears but to me the sound of my strat direct into the Blues Deluxe with nothing but a splash of reverb is purely magical. If that's 'not a very good amp' I need to get out more and discover what is. I recently started a thread asking what the main differences between a deluxe, super and twin were and what people preferred because so many times I hear these amps venerated as the Holy Grails of Fender tone that I thought I ought to buy one but the comment from at least one person was that if I already had a blues deluxe I wouldn't get a massively better tone from any of the silver face amps and if anything the Blues Deluxe was slightly warmer and bluesier.
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I see both amps used by session guys on UK music programs (Jools Holland show etc) So they are working musicians amps not cork sniffers..
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Bdri has awesome tone and if you want dirt throw in a stomp box (I use big muff pi and a volume box (not an attenuator) because the bdri itself gets very loud)
Nice one, I'll explian this to our readers who don't know.-
The volume box is a box with an input and output jack wired to a pot/volume knob. It is plugged in via the send and return of the effects loop of the amp. It is used to reduce the signal from the pre amp section (those little 12ax7 pre-amp tubes) into the output section of the amp (those big tubes 6L6 ) It can make the clean channel a little bit easier to drive at lower volumes..
sorry if I'm teaching my granny to suck eggs...
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And they are virtually the same amp inside to be honest.
If you are going to keep it and play it out - here are a few key items to get your amp guy to do for you.
Change all if the screen and grid resistors on the power tubes from 1 watt to 2 watt.
Remove the original tubes and trash them - replace with Sovtek tubes.
Use some clear silicone and coat all of the coupling and tone caps on the pcb to make them secure.
A great tube choice for both of these amps:
V1 - 5751
V2 - 12DW7
V3 - Sovtek 12AX7LPS
Power tubes - Sovtek 6L6 WXT+
set bias to 65-70 ma with these tubes - the amp will rock!
"I sound about the same on a Squire" -BW
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Try it - don't like it put the other one back in.
"I sound about the same on a Squire" -BW
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Put a 12DW7 in the PI - that will really alter the tone - sometimes it works well - sometimes it doesn't - power tube choice I would imagine.
This is a good trick if you have two Strat guys in the band but sound too similar for a good band sound - do this to one amp- makes one if them sound different enough that the overall band sound jumps right out.
"I sound about the same on a Squire" -BW
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The clean channel doesn't have a pre amp gain control.
Ah yes, I missed that small but cricial point!
I replaced the volume pots on my BD with log tapers anyway (an easy mod and low cost) so volume control isn't an issue on either channel.
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Both amps mic fairly well and take pedals well but distortion gets muddy in the bass. People diss the BDRI's drive channel, but I think it does fine if you dial it in for mild gain. I like having a variety of gain options for different kinds of music, so I use the drive channel for just a subtle effect and pedals for phatter sounds. It's annoying not having separate tone controls for each channel, but my workaround is to use an equalizer pedal for the drive channel so I can switch channels without changing amp settings.
Bottom line, both amps are good values at their price range, but they are a compromise. Sure, I'd rather have a boutique amp, but at a third the cost, the Hot Rod line is a decent solution for the price-conscious. Once you learn to dial in your tones on the amp and guitar, you don't have to be ashamed to bring it to your next gig.
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Source: https://www.strat-talk.com/threads/fender-blues-deluxe-vs-hot-rod-deluxe.184073/